The Post is Cheesier than the Movie

I DVR’d Paid (1931) purely because it starred Joan Crawford. I don’t know why I do that. Back in the days of the studio system they simply ground out movies. Even the few stars that never signed or fought their contracts made a few stinkers. Then again, shouldn’t I be looking for a stinker, given my penchant for writing about cheesy movies? I thought it was a win-win situation. Turns out not so much.

Paid was made pretty early in Crawford’s career. So early, in fact, that some would say it was before she was really Joan Crawford. By that of course I mean without the famous eyebrows and shoulder pads. She already has a presence, though, or she does as the movie progresses. In the first scene she looks pretty terrible as she is sentenced to three years in prison for theft she did not commit. She shows a flash of strength as she vows revenge on the man pressing charges, the owner of the department store where she slaved away for wages that didn’t pay the bills.

They don’t waste too much time in prison, but long enough for Crawford to make a friend who promises her a way to make money when they get out. This turns out to be prostitution, which our Joan does not end up going through with. At least, she goes home with a guy but doesn’t sleep with him, so I guess it’s prostitution. You know how circumspect these old movies are about sex stuff.

After turning down an invitation to lead a different life of crime, she finds a “legal” way to make money. Suddenly she’s all self-confident and calling all the shots. And the cops are SO after her. Then the plot gets a little convoluted.

She marries this handsome rich young thing, who turns out to be — surprise to us but not to Crawford — the son of the store owner she has vowed revenge against. I guess marrying the son is her revenge. And she claims not to love him, although she can’t look him in the face when she says so.

Her crooked friends — who were never quite comfortable living on the right side of the law anyways — are conned into one last big score. Of course that is a movie staple to this day: one last big score.

This was about the time I left the room to make popcorn, leaving Steven to keep track of what was going on. It wasn’t just my usual not paying attention mode: this is a boring movie. I don’t know why. The plot actually seems pretty good. And Joan Crawford — there could be no possible objection.

I’m afraid my write-up is pretty boring too. I am in a hell of a mid-week slump and I don’t know that things are going to get any better. I look forward to Non-Sequitur Thursday and Lame Post Friday. I do hope you’ll stay tuned.

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