Category Archives: movies

More Monster Movies

One of the presents I got Steven for his recent birthday was a DVD set of 50 Horror Classics. The years run from 1922 to 1963 and the quality from classic (Nosferatu) to cheesey (keep reading), so I thought, what’s not to like? Last weekend we watched a couple of the movies, so not having a better topic (I’m still suffering from a bad cold), I thought I’d do another monster movie post.

First we watched The Giant Gila Monster (1959). This sparked a short debate on how Gila is pronounced. We agreed the “i” sounds like “ee” (as in EEEeeee!), but is the g a “g” or an “h”? The movie did not settle the question, thought, because I don’t recall any characters actually saying the word “gila.”

I’m not saying nobody said the word; I’m saying I didn’t hear it. In other words, this was not a movie that gripped my attention. It started out fast enough, with a couple in a car (love the classic cars in these movies) overcome by an unseen horror (this sort of scene was a precursor, I’m convinced, to those doomed copulating couples in the slasher flicks from the ’70s and ’80s). After that, though, the movie slowed down. It even paused not once but twice so the main guy could sing this touching song about laughter. I don’t know if they were trying to get that guy a singing career, create suspense or just fill in time. Guess which one they accomplished (I knew you’d guess).

Our second feature was The Beast of Yucca Flats(1961) featuring Tor Johnson, who got his start as an actor courtesy of Ed Wood. That is according to the Tim Burton movie Ed Wood. We’ve seen Tor Johnson in the Wood-directed opus, Plan 9 From Outer Space. Incidentally, Plan 9 is widely credited as the Worse Movie Ever Made. I think a better award would be Best Bad Movie. I can sit through Plan 9 From Outer Space and be reasonable entertained. Other bad movies, not so much. This bad movie committed the unforgivable movie sin of being dull.

Both movies earned my favorite pan for a dull movie, “It needed robot heads.” This, of course, is a reference to Mystery Science Theatre 3000 (if you didn’t get the reference, I don’t know if we can still be friends) (just kidding; I need all the friends I can get, but seriously, try to catch MST3000). Why isn’t that show somewhere on digital cable?

Just in case anyone’s forgotten (unlikely) or never knew (a sad state), in MST 3000, this guy and two robots watched cheesey movies and made silly comments. I know, this is something many of us have been doing for years in our own living rooms, but these guys were inspired.

I’m thinking the DVD set has many other entries in need of robot heads. I’ll watch them all and feel free to post on them when nothing better is available.

Monster Movie Matinee

Does anybody remember last Saturday when I went adventuring and got a good three posts out of one afternoon? Well, that was then, this is now, as the man said (I think if was in some movie or other).

Saturday I did not feel well. The adventures I had planned, I put on hold. The most Mohawk Valley thing I did was to drink my morning coffee out of the Dyn’s Cider Mill mug. I love that mug.

Saturday afternoon I intended to take it easy, and my husband Steven graciously agreed to take it easy with me. I suggested we watch an old movie, King Kong from 1933 with Fay Wray. After all, Saturday afternoon, monster movie matinee, what could be more appropriate?

I made some popcorn. Alas, I’ve eaten all of the bag I bought at Dyn’s, so no local connection there. I pop my corn on the stove, in oil, and melt real butter to put on it. Yum. Then it lasts me a few days, because I eat some, then wash my hands so I can crochet. That’s how I roll.

Our video of King Kong was purchased by me a number of years ago (seeing that it is a video, some people already guessed that). I got it at a good price from Avon, of all places. A lady I work with sold it; this was later than my own ill-fated attempts to be an Avon Lady. We don’t pop it in very often. Steven is not usually anxious to watch King Kong. All of Fay Wray’s screaming gets on his nerves. I confess, I like her better in Mystery of the Wax Museum, where she has more character and more gumption, but you can’t have everything, after all.

For being all about beauty and the beast, the movie is fairly anti-woman. From the start, the movie producer is disgusted he has to hire a girl for his next picture. He can make a swell picture, he says, but the public wants a girl! OK, he’ll give them a girl. Enter Fay Wray. Cue the handsome first mate to tell her women are nothing but trouble, especially on board a ship. I have to wonder if there ever really was a superstition about women on a ship. Women used to sail on ships all the time, whenever they had to cross an ocean. But in old movies, you’ve always got some old salt saying women don’t belong on a ship.

The movie isn’t so hot from a race relations point of view, either. There are a lot of black actors in the picture, but they’re all savage natives. About all they get to do is beat drums and run away from the big gorilla.

But what do I want from a movie made in 1933? It was entertaining, I admit. Oh, one more beef: at the end (sorry to give away the ending, but you really should have seen this one or one of the remakes by now), the man says, “It was beauty that killed the beast.” No it wasn’t! It was getting shot by an airplane and falling off the Empire State Building! Hello! Sorry, just had to say it.

Monster Movie

I wanted to write a blog post comparing the Daphne Dumaurier short story “The Birds” with the Alfred Hitchcock movie (regarding a recent post in which I was delighted to purchase the book containing the short story). However, I wanted to view the movie again so it would be fresh in my mind. Unfortunately, we had already made up our minds to watch a different monster movie Saturday: Lake Placid.

Lake Placid got no critic love and little box office love when it was in theatres, but Steven and I think it is fun. We first encountered it on commercial television one lazy Sunday afternoon in Georgia. What could be lazier than watching a cheesy horror movie on commercial television on a Sunday afternoon? We subsequently rented it, so we could see whatever bits got cut for commercial breaks, and Steven got me the DVD for Christmas last year.

One reason we wanted to watch it Saturday was that Betty White had recently celebrated a birthday. We like to watch a movie featuring a birthday girl or boy.

Betty White is pretty fun in the movie, doing her usual sweet but twisted old lady schtick. I must say, however, that giving Betty White a potty mouth is a cheap, obvious way to get a laugh. Still, it’s Betty White. There could be no possible objection.

The movie is worth watching for the non-Betty White parts as well. In case you are not familiar with the movie, it concerns a large crocodile terrorizing a peaceful lake in Maine. We were interested to see the movie at first because we used to live near Lake Placid, NY. We were hoping the movie took place there. Actually, on this viewing, I found out that the Maine lake in the movie is Black Lake.

“They wanted to call in Lake Placid,” the big bellied sheriff says, “but that name was taken.”

How in the world did I not remember that line?

Bill Pullman plays the calm, cool Fish and Wildlife guy who is in charge of the investigation. Bridget Fonda is a city girl paleontologist with reasons of her own for wanting to stick around. Oliver Platt shows up as a spoiled rich diletantish crocodile lover who clashes (of course) with the big bellied sheriff. The characters actually keep from being “types,” as often happens in these flicks. I especially liked the big bellied sheriff (his belly isn’t really all that big, I just like referring to him as the big bellied sheriff).

I enjoyed the easy to watch monster movie after my Agatha Christie afternoon (see previous blog post). I’m penciling in The Birds for this weekend. Stay tuned!

Saturday Movie Viewing

Saturday I did not do anything remotely Mohawk Valley-ish, as I like to call my various adventures. Still, I was in the Mohawk Valley at the time, so I will tell you how I spent a good part of the day on my couch, crocheting and watching Agatha Christie movies.

I started with And Then There Were None. I was recently in a stage production of this with Ilion Little Theatre. It was during my pre-blog days. The script is based on a book which is also called 10 Little Indians. I think And Then There Were None is clearly a better title.

The reason it was called 10 Little Indians (or something even less politically correct) is that the murders are based on a supposedly charming nursery rhyme. Seriously, in the play the characters find these Indian figurines and a wall hanging of a poem about how each little Indian bit the big one and they say, “Oh, how charming!” This one chokes himself, that one chops himself in half and the last one hangs himself. They sure don’t make nursery rhymes like they used to. Still, it was a fun movie to watch, especially after being in the play. Naturally, I liked our version better, but Hollywood tries.

I followed the movie up with Murder on the Orient Express. The book was called Murder on the Calais Coach. Again, I like the movie title better. Calais Coach has the alliterative thing going on, but Orient is mysterious and Express is urgent, a more evocative combination (evocative is one of my favorite words).

We’ve had the second movie for years, first as a video Steven purchased for seventy-five cents from a rental place going out of business, then eventually as a DVD. I love the star studded cast, especially Albert Finney as Hercule Poirot. I don’t think this one was ever written as a stage play, which is too bad. I’d suggest it to Ilion Little Theatre.

I enjoyed my movie watching afternoon and managed to complete an afghan. I’ll make plans to do something a little more blogworthy soon.

New Year’s Movies

I thought it was time to stop writing posts about Christmas, but nobody said anything about New Year’s.

It would be nice to report that I did something really exciting, maybe involving a noted Mohawk Valley landmark or establishment. Alas, no. My husband had to work New Year’s Eve and New Year’s Day, so we planned a quiet evening at home. Left to my own devices during the day of New Year’s Eve, I did not do much but take the dog for a couple of walks. They were long walks and we enjoyed them, but nothing of particular note happened.

When Steven got home, we commenced the movie watching portion of the evening, usually our favorite part. We watched two New Year’s Eve movies: Sunset Boulevard and Mystery of the Wax Museum.

A note about how I categorize movies might be in order here. I call a movie a Christmas movie if the movie takes place on Christmas (Die Hard), has a scene or two during Christmas (LA Confidential), or even mentions Christmas (Almost Famous). The same rule applies for New Year’s. Also, since many of our New Year’s Eves have been spent watching movies, I have designated a few other movies New Year’s Movies, just for the sake of argument. Sunset Boulevard and Mystery of the Wax Museum are in the former category. In case anyone wants to know, the latter category includes Murder By Death, Sleepy Hollow (also known in our house as The Headless Everybody), and any Marx Brothers movie.

Sunset Boulevard is a delightful piece of Gothic art. Not a love letter to Hollywood, not exactly a poison pen letter… I’ll call it a love/hate letter. Gloria Swanson is wonderful as an aging silent film star who cannot accept the passage of time. Swanson was, of course, a silent film star, but from anything I’ve read about her, she aged gracefully, vibrantly and with an eye always on what she would do next. A pivotal event happens on New Year’s Eve. William Holden attends two very different parties: an elegant, surreal soiree for two, and a crowded, boisterous gathering of young folks. I can’t quite decide which I’d rather be at (not that anybody’s invited me to either kind, so I’m not too worried about it).

Mystery of the Wax Museum stars Fay Wray of King Kong fame. She gets to play a girl with a lot more character and spunk this time out. The movie opens New Year’s Eve 1933 and Wray’s job as a reporter is on the line if she can’t bring in a story. While chasing the story of a stolen corpse, Wray stumbles upon greater crime and terror. The movie was remade as House of Wax with Vincent Price in 1953, but without the Wray character and with no New Year’s connection.

After the movies, we peeked at the World’s Dumbest marathon on TruTV, then went to bed shortly after our midnight smooch. And now it’s 2012, and I have a whole year ahead of me for Mohawk Valley adventures.

Breakfast and a Movie

I begin this post with a plug for a local business which I have plugged before, Philly’s Breakfast House, 309 S. Caroline St., Herkimer.

Steven and I both had to work on Saturday, but our schedules were such that we were at least able to go out to breakfast together. Philly’s is a real hometown diner: friendly atmosphere, prompt service, good food. I had a Phils-a-wich — egg, cheese and sausage on a hard roll. Steven had eggs over medium with bacon and sourdough toast. It made my shift at work a little easier to get through.

Fast forward to early evening. I had a couple hours till Steven was expected home, so I decided to continue my extended Halloween by viewing a movie Steven is not overly fond of: Carnival of Souls.

The reason we even have the movie is that it is part of a two DVD set we purchased because it included The Brain that Wouldn’t Die. That is a movie we discovered back in the olden days when we were renting movies for our first VCR. I do love a cheesy horror movie (although I hate cheesy reenactments on crime shows, and I have no claims to being a Great Cheese Lady).

Carnival of Souls is a black and white low budget flick from 1962. I wouldn’t call it cheesy, although I suppose it has its moments. What it has in spades is atmosphere. It is weird and creepy.

The movie begins rather scarily with a drag race gone wrong. A car full of young girls plunges off a bridge. After hope of even finding the car “with this current and all this sand” (they mention the current and sand more than once) is fading, a lone survivor totters out of the water.

It seems she plays the kind of huge pipe organ you sometimes find in churches. Rather than take time to recover from her traumatic experience, our heroine drives through the night (with one scary little interlude) to her new job playing the organ at a church.

To her it is just a job, although her mentor at the organ factory warns her that she must put her soul into the music. When she tries the organ at the church, the minister says he believes he has hired an organist that will stir his congregation’s souls. Just so we don’t forget the title of the movie, I guess.

The movie makes copious use of organ music in maintaining the mood of weirdness and doom. I think my television needs a better sound system, because I kept upping the volume for the dialogue and lowering it during the musical interludes.

Soon strange things are happening to our heroine, ranging from the unsettling — as when suddenly nobody can see or hear her — to the frightening — when she keeps seeing this strange man. He looks a little like Bill Murray in Goth make up. I wouldn’t want to meet up with him. Things get more confusing — for her and for us — as the movie wends toward its creepy conclusion. Naturally I won’t tell you anything about that.

I’ve heard that the movie has something of a cult following. That could be. I admire its unsettling quality, and how they are able to do a lot with a little to create mood. It unsettled me. When it was over, I looked for an episode of “World’s Dumbest” to cleanse my mental palate.

An Invisible Friday

I mentioned a few days ago that I intended to extend my Halloween by viewing scary movies into November. Friday night TCM helped me out by screening The Invisible Man.

We had planned a real Mohawk Valley evening. Herkimer County Community College was hosting a screening of A North Woods Elegy: Incident at Moose Lake, a documentary about the murder of Grace Brown by Chester Gillette in 1906. Gillette, as you may know, was held in Herkimer’s 1834 Jail while he was tried in the Herkimer County Courthouse. Unfortunately, the screening was sold out. We were not the only ones disappointed. A man there told us there might be an additional screening. We’ll watch for it.

So we returned home, much to our dog’s delight, and looked for something to do. Steven discovered the 1933 movie starring Claude Rains on TCM at eight.

We adore Claude Rains. I hadn’t known that The Invisible Man was his American movie debut. It made him a star, which is pretty impressive when you don’t even see him for most of the movie.

Una O’Connor is in the movie as well. She is one of our favorite character actors. She has a small part in The Bride of Frankenstein, which had the same director. In that movie she gets to make extremely frightened faces then scream her head off. In The Invisible Man she has a slightly larger role, but still gets plenty of scream time.

The movie is directed by James Whale. I feel I know a lot about James Whale, because he was the subject of an episode of Mysteries and Scandals on E! which I saw several times. Also, we have the movie Of Gods and Monsters, which is based on a fictional imagining of Whale’s last days. I’d like to read a reputable biography of the man, but have not come across one yet. He was an excellent director, particularly of horror movies.

The movie is fast moving and scary. It was fascinating to me to be frightened by a monster movie in which the monster consists of objects moved by unseen hands or a guy with his face completely covered in bandages. I think a lot of the scariness comes from Claude Rains’ voice, especially his maniacal laughter as he revels in his evil power. Also unsettling is the idea of fighting a foe you can’t see.

I was really glad Steven noticed the movie was on. If you can’t see a documentary about a local murder, I guess the next best thing is an old monster movie.

Halloween Fun at Home

Saturday all I really wanted to do was stay home and watch Halloween movies. I can give the post a Mohawk Valley connection by telling you that I popped a big bowl of popcorn which I had purchased at Dyn’s Cider Mill in Richfield Springs. It was their own popcorn. I put lots of salt and butter on it.

We watched two DVDs Steven had given me for our anniversary. The first was The Watcher in the Woods, a 1981 Disney movie with Bette Davis. Neither of us had seen the movie before, but we heard it was scary and we love Bette Davis.

It is definitely a Disney movie. Not gory, no sex, no swearing. Sometimes I like that in a movie. It actually was pretty scary. A family with two daughters moves into this grand old English mansion of which Bette Davis is the landlady. She, of course, is eccentric and a little unsettling. Strange things begin to happen almost immediately. The older girl gets visions. Unseen beings whisper to the younger girl. And it all has to do with a very mysterious happening from the past.

I suppose I’m being very non-specific in my plot summary. I do that on purpose, because the less I know about a movie before I see it, the better I like it. All I knew about this movie was Bette Davis and scary. I enjoyed it very much.

Our second movie was Dracula with Bela Lugosi from 1931. I had seen this movie once, years ago. I love old horror movies. While we watched, Steven entertained me with accounts of his experiences working on a college production of the play Dracula. Hmmm. That might be something to suggest to Ilion Little Theatre.

I greatly enjoyed my movie watching evening. I know, outside in the Mohawk Valley, corn mazes and haunted hayrides awaited my blogging pen. But sometimes a girl just has to stay home.