Tag Archives: Bela Lugosi

Favorite Ghouls on Wuss-out Wednesday

Posted on February 9, 2017 by mohawkvalleygirl

I am so tired right now, I think all I can manage is a Wuss-out Wednesday post.  It is Wednesday, right?  Earlier today, I was wishing it was Thursday.  Then I reminded myself of a morning I got out of my car and thought, “Why can’t it be Thursday instead of Wednesday?”  then I thought, “You idiot, it’s Tuesday.”  I may have shared that memory before, but I still think it is funny.

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Two of my all-time favorite ghouls.

This is what I immediately thought of at the time.   This is Bela Lugosi and Boris Karloff.  I never knew which movie the shot is from but I believe that is not the original dialog.  I used it as my Facebook cover photo for a while. Now I realize I should not have put it in a Wuss-out Wednesday post but in a Tired Tuesday post.  Which just goes to show you how often I do the wrong thing.  But now that I’ve put in a photo, I’d kind of like to put in a couple more.  I wonder what I can find.

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She’s really not that into him.

Speaking of favorite ghouls, who doesn’t love Vincent Price?  This is from House of Wax, one of my go-to horror movies.  Price is in love with his Marie Antoinette.  How Pygmalion of him.  Before the film can really explore the creepiness of that infatuation, the place goes up in flames and Price becomes a villain, deformed in body and spirit.  I don’t know where I’m going with that.  Perhaps the next time I watch the movie, I’ll write a scholarly essay on Hollywood’s missed opportunities.

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Aren’t they cool?

Just to finish out the theme of favorite ghouls, here is a photo Steven has shared on Facebook so it was in our downloads.  Christopher Lee, Vincent Price and John Carradine.  At least, Steven says it is John Carradine.  I had thought it was Peter Cushing.  How classless is that, that I’m going to publish this without making sure of my information.  That’s how I roll on Wuss-out Wednesday.

 

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Vampires and a Big Reveal

Posted on December 11, 2013 by mohawkvalleygirl

BIG Spoiler Alert! Seriously, if you’re going to watch Mark of the Vampire (1935), PLEASE do it before reading my silly write-up.

I will, in fact, try to write about this movie without giving away the big reveal, but I don’t know how successful I will be. In fact, already I’ve said too much.

In pre-movie commentary, Robert Osborne says Mark of the Vampire is a murder mystery as well as a vampire movie. I think that gives away a lot right there, and he didn’t even give a spoiler alert. Anyways, I think it is mostly a vampire movie.

The movie begins, as these things often do, with travelers being warned to go nowhere after dark. This is all we see of the travelers, so I guess those actors did not have very good agents. The vampire(s) (I don’t think people know at this point how many there are), it seems, is (are) after folks that have lived in the area for some time.

I’m sorry, but I don’t think that’s very good scripting. Of course we don’t want characters reiterating to each other stuff they darn well already know. That would be like me saying to Steven, “As you know, we’re married and have a cute little dog.” However, I think there are better ways to set up background than sticking in extraneous characters we are never going to see again, just so they can get warned.

Perhaps I am too demanding. Anyways, that was an easy way to fill up a paragraph without giving away any major plot points (except to let you know you aren’t going to see those travelers again).

Bela Lugosi is the main vampire, and I wished he would have gotten more screen time. He is very mysterious and scary when he shows up, though, so that’s good. There is another, younger, girl vampire. She is spooky, but the actress does not have Lugosi’s gifts. She doesn’t act so much as walk around slowly with a completely blank look on her face. I suppose that is what the part called for and what the director told her to do, but I didn’t think she had the presence to carry if off properly. Oh well, she was young. I daresay she improved if she went on (didn’t make a note of the actress’ name).

Lionel Barrymore is a vampire expert. I just adore Lionel Barrymore. I don’t care if he puts the beautiful girl in danger to catch the vampires. That’s what a movie vampire expert is supposed to do.

Osborne warns us that nothing is as it seems, and that is pretty much the case. It is one of those movies where, after you find out the big secret, you kind of want to watch it again, to see if they were really playing fair. I’m actually pretty sure they did not play fair (I know some of you are saying, “Whatever that means”), because in post-movie commentary, Osborne tells us the actors did not know the big reveal till they actually filmed those scenes.

Since this is a personal blog, I feel free to interject here that I would be majorly ticked off at a director that played that kind of a game with me. If it is something my character knows, I certainly want to know it. If it is something my character doesn’t know, I would still prefer to know it and ACT. But that’s just me; I’m not all method like some people.

I enjoyed Mark of the Vampire. I may watch it again (perhaps when TCM shows it next October) and write another blog post from the point of view of somebody who already knows the big reveal. If I remember it.

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Why This is Not a Movie Post

Posted on December 9, 2013 by mohawkvalleygirl

I’m not giving up Wrist to Forehead Sunday, you can’t make me.

That previous sentence should have a semi-colon instead of a comma, but sometimes I regard punctuation as much art as science. The Punctuation Police and the Grammar Guardians can ding me all they like, because I am usually quite correct about these things.

Regular readers will realize I was too ill yesterday to partake in any Mohawk Valley adventures. Today I feel slightly less crappy but not yet un-crappy. Anyways, Sunday is almost always an off day for me.

Yesterday I watched a Hammer Studios film and today a Bela Lugosi movie. I could write about either one, only it also seems that I can’t. You know how I always put a Spoiler Alert. Well, the things I would be apt to talk about for these movies goes beyond spoiler and into “Well, why don’t you just tell us the whole damn movie while you’re at it!” These are things astute movie viewers may see coming (I did), but there is still an element of, “Wait a minute, it could be that…” The satisfaction is in saying, “I thought so!” and not “I read about that in a blog!”

You know, I’ve said too much already. Now I am afraid viewers will say, “What did she see coming… ah yes! Of course!” Instead of letting it unfold in front of them.

Or am I being silly? That, of course, is always a possibility. In any case, I see my word count is over 250 words. Quite respectable for typing with one wrist on my forehead (oh, OK, that’s only figuratively)(metaphorically?). I hope to see you on Middle-aged Musings Monday.

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The Zombie Eyes Have It

Posted on November 27, 2013 by mohawkvalleygirl

Spoiler Alert! If you think you might want to see White Zombie (1932) with Bela Lugosi, I would advise you watch it before reading this. I think it is better enjoyed if you’re not thinking, “Oh, this is that part she was telling us about.”

According to Robert Osborne’s pre-movie commentary, White Zombie is believed to be the first movie ever made about zombies. I find it hard to believe there are no silent movies featuring zombies, but I’m not that knowledgeable about silent movies (it’s difficult to crochet or knit during a silent movie, because you have to keep your eyes glued to the screen or you’ll miss something).

First or not, it’s an atmospheric, eerie movie. The zombies are the old-timey slow moving creatures with staring eyes. They don’t eat flesh, but some of them do kill a guy and try to kill a couple of others (I did include a spoiler alert, didn’t I?) (I think it’s a bigger spoiler to let you know they only try to kill someone, don’t you?).

The movie takes place in the West Indies, home of voodoo, zombies and assorted other creepy weirdness, it seems. A Beautiful Girl and a Handsome Young Man (side note: why don’t I just refer to him as a Boy and be symmetrical?) are in a horse drawn carriage (to give you an idea of period) on their way to some rich guy’s house.

At least, I think he’s rich. Yes, my famous lack of attention is once again my undoing. Rich Guy has gotten Handsome Young Man a job back in the states and wants the couple to be married from his house. It soon transpires that he is in love with the girl and is willing to use fair means or foul to make her his.

Enter Bela Lugosi. Ah, but before he does, Rich Guy’s butler warns him to have nothing to do with that sort of person. Well, it wouldn’t be much of a movie if the characters listened to sensible advice, would it?

First Rich Guy tries fair means, by propositioning Beautiful Girl as he escorts her to her marriage ceremony. Anybody still wondering why this guy is alone? Of course it doesn’t work, although she tries to let him down easily in the limited amount of time available to her. So it is on to foul means and the zombie meat of the movie.

The nefarious plot perpetrated by Lugosi involves turning Beautiful Girl into a zombie. It is not clear to me how he does it. Something to do with carving some wax and sticking it into the flame of a streetlight. She falls dead into her new husband’s arms.

Soon she is the glassy-eyed possession of Rich Guy. Well, that’s not the chick he fell in love with. He demands Lugosi turn her back into a person even if it means losing her. I guess he’s not such a bad guy for someone who resorted to foul means to win the girl. But Lugosi will have none of this and is soon tormenting Rich Guy in ways that ought to make anybody sorry for him, even viewers who still consider him a lousy beautiful girl stealer.

Lugosi, as usual, utilizes his scary eyes to good effect. The things that especially struck me in this movie were his wild and wooly eyebrows. I think Count Dracula must have tweezed.

Eventually Handsome Young Man finds help and hurries to the rescue, as you probably figured. But can he rescue her? I guess I can’t spoil everything. This movie is recommended. I’ll look for something cheesier next time.

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Bela and the Baboon

Posted on January 4, 2013 by mohawkvalleygirl

I seem to remember mentioning a cheesy horror flick involving Bela Lugosi and a baboon. Having no other topic at hand, I thought I’d try to write about it: Murders in the Rue Morgue (1932).

Full disclosure: I did not watch the whole movie. I didn’t even pay a whole lot of attention to the parts I did watch. For a horror movie based on an Edgar Allen Poe story, starring Bela Lugosi and featuring a killer ape, I found it to be a pretty dull movie.

According to the Guide on digital cable, the movie concerns Lugosi murdering women for his experiments with apes. They had me at Bela Lugosi, but mad scientist and murders (after all, they go together) sounded good too.

The picture opens during Carnival in Paris. Many revelers are having a wonderful time, including a beautiful girl, a handsome man and his not so handsome friend. They go into a side show where they meet Lugosi and the killer ape, although of course they don’t know it’s a killer at the time.

“It’s only a baboon,” comforts Handsome Man when Beautiful Girl is frightened. I don’t know if it was a baboon, a gorilla or an overgrown chimpanzee. I can’t even be sure whether it was an authentic animal or a guy in a suit. These days I suppose they would have faked something up with CGI, quite possibly having first indulged in a little research. I made him a baboon in the headline for alliterative purposes, but you probably guessed that.

I’d like to just say a word about Bela’s hair (I know it’s more proper to refer to him by his last name, but I just feel I want to call him Bela). It’s not the elegant, slicked back Dracula look we are used to. It’s wild, shaggy and almost curly. Like he used volumizing mousse instead of maximum hold gel, although I have no idea what hair products were available at the time this movie was made (I did not indulge in any research while writing this post. Sorry). As a theatre person myself, I have no problem with an actor mixing it up a little, changing appearance to serve the character. It was just a little disconcerting is all. He still has the scariest eyes in show business.

Do I really need to tell anybody that he meets Beautiful Girl and is immediately taken with her? When she gets too close to the cage and the baboon snatches her bonnet, Bela smoothly promises to send her a new one, what’s you address, my dear? Handsome Man blocks that gambit, but not to worry. Bela has at least one henchman who can follow Beautiful Girl home. Just in case anybody was worried that the mad scientist would not get her into his evil clutches eventually.

Apparently he has already had other women in his evil clutches. We only see him actually abduct one, but when the authorities find her dead body (did I need to include a spoiler alert that somebody dies in a movie with “Murders” in the title?), we learn that she is not the first. Soon Handsome Man is investigating the murders, something to do with something in their blood, while letting his Not So Handsome Roommate eat all the lunch.

I stopped paying attention about the time Beautiful Girl gets the new bonnet from Bela and doesn’t worry too much about how he found her, because it’s such a fetching piece of headgear. So I don’t really know how she gets into his evil clutches or even what his evil plan is (although I know it has something to do with blood). Naturally there is a dramatic climax involving the baboon getting loose and climbing all over the city, but like I said, not really watching by that time. I may yet go back and watch it again, paying more attention this time. Which may or may not be worth another blog post.

I never read the story the movie is based on. The next time I go to the library I’ll look for it. Not that I expect it to inform any subsequent viewings of the movie. Hollywood is famous for taking liberties with adaptations and never more so than when they attempt Poe. In their defense, Poe is a very literary writer. Perhaps I should watch a series of movies based on Poe stories, read the stories and write a doctoral thesis (I bet you thought I was going to say blog post). Do you suppose I could find a university that would give me a degree for that?

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Some Intrepid Girl Reporter

Posted on October 9, 2012 by mohawkvalleygirl

I think back pain must also effect the brain (cue brainless jokes) (you know who you are), because I had completely forgotten about another horror classic I watched on Saturday, The Corpse Vanishes (1942) starring Bela Lugosi.

Of course, starring Bela Lugosi is not a guarantee a movie will be any good or even that it will be a horror movie (remember when Boris Karloff played that Chinese detective?). Still, with the word “corpse” in the title, I figured we’d at least get to see those famous scary eyes.

The movie starts out quickly enough with a bride dropping dead just as she’s about to say “I do” (cue anti-marriage jokes). A photographer rushes in and takes a picture (paparazzi in 1942?). The undertaker takes the body away, and we catch a glimpse of some scary eyes in the back of the hearse. Oh boy! Then the real undertaker shows up. Oh no!

“Another kidnapping of a dead bride!” exclaims a girl from a newspaper who has just been denied an interview with the bride’s father. “What a story!”

At this point I sat up as straight as my bad back would allow and cheered. An intrepid girl reporter! Yay!

As per usual, Intrepid Girl Reporter gets no respect from her paper. The editor sends her to the next society wedding and he ONLY wants her to find out who’s there and what the bride is wearing.

“But what if I get a clue?” she asks. He does not deem this likely.

The mother of the bride in this wedding has demanded police protection. As the bride prepares, a mysterious orchid arrives, which she naturally pins right on. It MUST come from the groom, right?

Hello! Two minutes earlier the groom was at the door and was denied admittance. Would he not at that point have said, “Oh, well, give her this orchid from me.” That occurs to no one, and apparently the police protection does not extend to questioning deliverers of mysterious orchids.

Predictably, this bride also drops dead. They make sure the coffin gets on the right hearse, which is surrounded by motorcycle cops, but Bela cleverly steals it anyways. Intrepid Girl Reporter ends up with the orchid, which she — and nobody else — immediately recognizes as a clue.

Meanwhile, we follow Bela to his lonely mansion, castle, whatever it is (I missed the exterior shot), with the mysterious laboratory, and we find out why he wants the corpses of beautiful young women. He uses them (by means which are not clear but that hardly matters in a movie like this) to keep his wife young and beautiful. Does she have a wasting disease that makes her look old before her time? NO! She’s just old and doesn’t want to look that way! Come on, lady, none of us do! Slap on some Oil of Olay, schedule a Mary Kay makeover and drive on!

Perhaps I should be a little more understanding. These were the days before botox, after all. And, without this woman’s desire to look young, there wouldn’t be any movie. But she is so annoying! She’s crying with these big, loud sobs that go on and on, begging her husband to hurry, she needs [whatever he does] NOW! I was wishing he would give her a mysterious orchid so she’d just shut up already.

Intrepid Girl Reporter tracks down Bela through the orchid, which is surprisingly easy. What dumb cops they have in these movies. Law enforcement ought to sue Hollywood for defamation. Come to think of it, so should intrepid girl reporters, because this one is not a good representative. She spends a lot of time screaming and fainting (I think Fay Wray screamed once in The Mystery of the Wax Museum, but you really couldn’t blame her and she was intrepid the whole rest of the time).

It’s not a bad movie, in spite of Boo-Hoo Wife, Dumb Cops and Not So Intrepid Girl Reporter. There are some scary parts and a few creepy minor characters I haven’t mentioned (thought I’d save you something). One might wonder if it was really all that memorable, seeing as I forgot I had watched it till Monday morning when I was pondering my blog topic (it was kind of like, “Wait a minute, didn’t I see three movies on Saturday?”). But on looking back, I will give it this accolade: it was fun at the time.

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