Tag Archives: Frankenstein

Frankenstein and his Bride on Slacker Saturday

So it was after seven on Lame Post Friday when I posted.  Now it is after eight on Slacker Saturday, and here I am.  Of course, it was not Slacker Saturday earlier today.  I was not exactly slacking then.  That happened later.  Now I am at the sitting on my couch enjoying the Watching Halloween Movies portion of the day.  We just finished watching Frankenstein and Steven is putting in Bride of Frankenstein as I type.  The James Wale version of these tales, of course.

A publicity still from the Frankenstein movie I referred to above.

One thing I loved about Bride of Frankenstein is the prologue, with Elsa Lanchester as Mary Shelley.  I adore Elsa Lanchester, and this is an excellent introduction to the tale.  I have always been a little sorry the movie did not return to the scene of the introduction, making it a real book-end of a framing device.  However, I personally cannot figure out a way to do that without it being an anticlimax.  Perhaps James Whale, the director, could have come up with something suitable, but I cannot blame him for not having bothered.  Then again, perhaps he did bother, and the studio rejected his ideas.  Studios tend to do that, you know.

“My Mary is an angel,” says Percy Shelley.

Here is the delightful Elsa Lanchester.  What a fun scene this must have been to film.  She sits there, embroidering sweetly, with the tale of a monster in her head.

This was my Facebook profile picture for a while.

I’ve shared this picture here before, but I thought it appropriate to include a picture of Lanchester as the Bride.

Anyways, this is my Saturday post.  Full disclosure:  I thought I was going to just go to bed and make this post at five or so tomorrow morning.  I’m going to count that as a “Yay, me,” deserved or not.  I hope to see you all on Wrist to Forehead Sunday.

 

I Like Monsters

Hello, and welcome to Lame Post Friday.  I went running earlier, hoping to offer a Running Commentary Post.  Unfortunately, or perhaps fortunately, depending on how your tastes run, I just don’t feel like doing that.  I feel like posting pictures from monster movies.  Since I indulge myself on Fridays (and most other days when it comes to this blog) (don’t judge me), here is Bela Lugosi in a publicity shot from The Wolfman.

This is how I will look on Sunday, contemplating the approach of Monday.

I actually had been scrolling down Facebook trying to talk myself out of my monster movie picture cop-out when I saw this picture of Bela and I just couldn’t resist.  I went on to see what else I could find, skipping around to my favorite movie groups and pages.

Icons in coffins, what’s not to like?

I believe this is Basil Rathbone, Boris Karloff, Vincent Price and Peter Lorre (in the back).  I’m almost sure I’ve seen this before and cannot believe I have not used it in a blog post yet.  If I repeat myself, well, some things are worth repeating.

This is probably what he would look like riding a subway.

When we think of monsters, especially movie monsters, naturally we would think of Frankenstein’s monster, one of the first and one of the best.  I shall conclude with a less literary monster in another publicity shot.

I never knew that magazine had centerfolds.

Full disclosure:  I am not that familiar with the Planet of the Apes movies.  I think Steven and I watched the first one once, but I don’t remember that much about it.  I think we saw the remake and were unimpressed.  Then again, one could argue that these movies are more sci fi than horror.  But why argue on Lame Post Friday?  I’m going to have another glass of wine.  I hope you’ll tune in again for my other weekend posts.

 

Monsters on Monday

My brain does not feel up to any Middle-aged Musings nor yet Mental Meanderings, so I went to Facebook and looked around for some pictures to share.  Eventually I found my way to a page I like called Famous Monsters of Filmland.  Who doesn’t like monsters?  Oh, I know there are some that don’t, but I just imagine they were put off by today’s headline.  I amused myself my downloading a few classics.

“I bid you welcome.”

One of the most debonair of monsters is Bela Lugosi as Count Dracula.  I’m thinking Dracula reached his height point of sexiness with Frank Langella in the 1970’s, but I never saw that movie.  I’m just going by what I heard.

The new spokesmodel for Norelco?

We go from sexy to shaggy with the Wolfman.  I don’t know what movie or actor this is (I suppose real bloggers research these things and here we come to the ugly truth about me), but I liked him.

Ranking high in the annals of bad first dates…

I can’t help by notice there is a dearth of good female monsters.  The Bride of Frankenstein, despite being the title character, had an embarrassingly small part in a sequel.  I find that a little sad, especially given that she was portrayed by the wonderful Elsa Lanchester.

Oh, Julie, your date is here!

And here is the Creature of the Black Lagoon.  I think his body is scarier than his face, but that is one scary body.  Official Julie Adams (who played the object of the Creature’s desire) is another page I like on Facebook.  She seems to be a very gracious, classy lady.

The scariest one!

I think I have used this photo before, but I wanted to close with Nosferatu, which gets my vote for the scariest movie ever.  And I see I am approaching 300 words.  I don’t think that is bad for a brain-dead Monday.  I hope to see you all on Tired Tuesday.

 

Monster Movie Monday

Steven and I took today off too, to recover from our wild Vermont weekend, so today will be kind of a lame weekend sort of post.  We spent the morning having adventures, but that was a long time ago and I’m too tired to write about them.  When we returned home, we decided to watch monster movies, so I’m going to write a little bit about them.

I thought some classic Halloween viewing would be nice, so we put in Frankenstein, the one directed by James Whale in 1931.  Then we quite naturally watched The Bride of Frankenstein, 1935 , also directed be Whale. I wanted to watch another Boris Karloff movie after that, but first I had to fix us something to eat.  Then I had to make a salad and chop some vegetables for my lunch tomorrow, when I go back to work.

It would be nice, I suppose, for me to make some commentary about these movies.  Something intelligent or insightful or at least witty.  Would it be too monstrous to me not to?  I suppose it would.  Steven is searching for another Karloff movie, now that we’re done with dinner.  I think there are a couple in one of our Horror collections.

Full disclosure:  I think I am coming down with something.  Perhaps it is my allergies acting up again.  Perhaps I just partied too heartily in Vermont.  You know how debauched Vermont can be.  And you know what a huge baby I can be when I am not feeling one hundred percent healthy.  Well, we did have a few adventures today in Utica, so perhaps I can write about them in the coming week.  In the meantime, Steven has put in The Terror, which I wrote about in a previous post.  Click on the title if you’d like to read it.  And Happy Monday.

Just Sew the Head Back On!

Spoiler Alert! I’m going to tell most of the plot of today’s movie. I’m really more interested in commenting about it than in being circumspect.

We continued our enjoyment of Peter Cushing as Dr. Frankenstein with Frankenstein Created Woman (1967).

I was a little disappointed that the movie did not pick up where Revenge of Frankenstein ended. On consulting Leonard Maltin, however (Leonard Maltin’s 2007 Movie Guide, Penguin Group, New York, 2006), I find that this movie is in fact the sequel to Evil of Frankenstein, which I did not see. That explains it.

The movie opens similarly to Revenge, however, with an ominous shot of a guillotine. The intended beheadee this time is not Dr. F but a common or garden thief and murderer. He is laughing at his fate until he sees his son in the distance watching.

The guillotine certainly makes for a chilling beginning, especially when we see the bloody blade being raised after the head drops. The guillotine, of course, was an efficient means of execution. That guy with the big ax sometimes missed, I’ve read. But guy with ax or guillotine, one thing you can say about getting beheaded: there was no chance they were going to bury you while you were still alive. Come to think of it, in a Frankenstein movie, I guess that’s not much of a fear anyways, because he digs up bodies. But I digress.

Flashing forward, the executed man’s son is all grown up and passes by the guillotine every day on his way to his job as — did you guess? I didn’t — Dr. Frankenstein’s assistant. Dr. F is also assisted by a bumbling old fool of a doctor, who is actually pretty endearing. I was reminded of Holmes and Watson (which is a little blog foreshadowing, by the way, because I also DVR’d The Hound of Baskervilles, starring none other than Peter Cushing as Sherlock Holmes).

Things get a little weird for a Frankenstein movie. He doesn’t sew any dead body parts together. So once again, the possibilities of the guillotine are wasted. Well, I guess not entirely, but that part comes later.

This time out, Dr. F is interested in the soul, which he says does not leave the body right away upon death.

“Where does it go?” asks Bumbling Old Doctor. I don’t think Dr. F has a good answer for that one.

As the movie progresses, we find out that Hans — that’s the guillotined guy’s son — is in love with the daughter of the owner of the local tavern. She is scarred and crippled. The origin of the scars is not explained, but it looks as if half her face has been burned. However, since she has a Veronica Lake thing going on with her long red hair, she is still cute. The crippled thing is harder to disguise, especially when some drunken upper-crust louts demand she wait on them, so they can make fun of her. Oh yes, the audience is wanting these guys to be cut up and used for body parts.

Ah, but this is a different Dr. Frankenstein. He wants to put somebody’s soul into a different body, and he gets his chance when Hans is sentenced to the guillotine.

I know what you’re thinking: “Just sew his head back on! It’s what you do!” That is what I was thinking it. But now that I think more about it, I remember that in Revenge of Frankenstein, he said he couldn’t put a dead brain into his patchwork body. But now it’s all about the soul, and the brain is not even mentioned (insert brainless joke of your choice).

You know, the more I think about it, the more I think Cushing’s character is just a regular old mad scientist, and they named him Frankenstein to buy into the franchise. Canny marketing strategy. I mean, I would have watched the movie anyways, but you can’t always go by me.

Where was I? Ah yes, Hans’ soul is put into the dead body of his girlfriend, who drowned herself in despair after he got guillotined. Yes, I’ve skipped a few plot points. You know how I am about details.

So what happens to the girl’s soul is a question nobody asks, but I think the answer is she’s still around, although she has no idea who she is or how she got there. However, she is now a beautiful, unscarred, uncrippled blond. I guess it’s a good thing she doesn’t know who she is or the first words out of her mouth may have been, “Thanks a lot, Doc! You couldn’t have done that while I was alive, I suppose?”

Just about the time I was complaining, “Isn’t there any comeuppance for those louts?” Blondie turns into a murderous vixen, commanded by, yes, Hans’ dismembered head, which she has apparently dug out of the grave (the doctors let him get buried after they got his soul).

Hey, maybe if Dr. F would have known what Blondie was up to, he could have put the louts’ souls into other people’s bodies, too. That would have made for a much longer movie, though, so I guess it’s just as well.

The movie ends pretty abruptly, with almost everybody dead, except Dr. Frankenstein. So he is all set for another sequel. I hope TCM shows it next Saturday.

Can’t Be Too Cheesy

Spoiler Alert! I’m not going to give away the whole plot, but I might ruin a surprise or two.

TCM has not shown any Whistler movies lately, but they have obliged with a few Hammer Films.

I made a note of “It’s a Hammer Film” in the TV Journal when we watched The Revenge of Frankenstein (1958) last Sunday. Last night I found I was correct to do so. Ben Mankiewicz, in pre-movie commentary to another Frankenstein movie, informed us that Hammer Films became known for the horror genre.

Revenge of Frankenstein stars Peter Cushing as the mad doctor. I first became aware of Cushing many years ago, when he had a part in the first Star Wars movie (that’s the first MOVIE, not the first “episode,” of which I know very little). Cushing, as I understood it, was one of a couple of older, highly respected actor’s actors brought in to class up the operation. Now it’s a name which, when I see it in a movie, I say, “Can’t be too cheesy.” Still, any horror movie from the ’50s or ’60s is going to have a certain kitsch factor, especially one about Frankenstein. Hello! Sewing together dead people to bring them back to life! Even Kenneth Branaugh could bring only so much weight to that.

The movie opens with Dr. Frankenstein facing the guillotine for his crimes. Apparently this is not the first Frankenstein movie in the series (“Revenge of” kind of clued me into that already). But there is no problem following the plot from where they start, no need for lengthy flashbacks. Actually, in a Frankenstein movie, flashbacks look a little silly. I mean, we all KNOW the story or at least enough that we can follow along (I, of course, know the whole story; I read the book) (sorry, didn’t mean to sound smug).

I was a little disappointed that Dr. F didn’t get beheaded and sew his own head back on, but that would have been a whole other movie, I suppose. Instead, the scene changes before the blade clangs down and I don’t think anybody is too much surprised to learn that our “hero” escaped execution with the help of a confederate (that’s all we’re told about how it was done. I personally would have liked a flashback showing the trick) (after all, you never know when you might need to know these things).

The next thing we know, a certain Dr. Stein (subtle!) is practicing medicine in, oh, I forget where. Presumably a country with no extradition policy or no guillotines. The local medical association is a little miffed he hasn’t tried to join or otherwise seek their permission before stealing all their patients.

It seems the ladies love Dr. Stein. Hmmm. I guess the young Peter Cushing had a sort of charm. Maybe it’s that crisp, businesslike aloofness. That unattainability that drives some women nuts.

At any rate, Dr. Stein’s waiting room for his upper crust patients who pay through the nose is always full. He uses this income to subsidize his free clinic for the poor, which is another thing that the ladies love about him. So unselfish! So dedicated! They don’t realize he is using that clinic as a source for body parts (but you knew right away, didn’t you?).

I do hope he washes the parts before he uses them, because a lot is made of how the poor people don’t wash. One fellow in particular — I think he is employed at the clinic in some menial capacity — brags his head off about how that’s why he’s so healthy. Um, he does not literally brag is head off, although I guess that would have been appropriate in a Frankenstein movie that opens with a guillotine.

Dr. Stein has a crippled assistant named Carl, and he acquires a young doctor protege. The young doctor recognizes who Dr. Stein is, but does not think he is evil. He thinks he is brilliant and wants to work with him and learn. There is a also a beautiful, young, upper crust girl who volunteers at the clinic, and the stage is set.

And that is about as far as I want to go, because, spoiler alert aside, I really don’t want to give any more away. There are some unexpected twists and turns. You may see the ending coming, but it’s still pretty satisfying. I didn’t see it coming a mile away, but pretty much guessed it just before it happened. I felt pretty pleased with myself that I guessed right.