I wanted to make sure I watched a movie this weekend, so I would have something to write about one day this week. I don’t know that I picked a cheesy one, though. I would say more of a B feature. But it featured an intrepid girl reporter, so I thought it would suit my purposes: Fly Away, Baby (1937).
The description in the digital cable guide, on the strength of which I DVR’d it from TCM, said something about newswoman Torchy Blane proving to her policeman boyfriend that she could so solve a murder. The words “intrepid girl reporter” were not actually used, but I can read between the lines. With a name like Torchy, I figured she’d be wise-cracking as well. Right on both counts.
In pre-movie commentary, Ben Mankiewicz tell us this is the second of nine Torchy Blane movies. I believe TCM was going to or did show more of them, but this is the only one I caught. So, apologies to any Torchy Blane fans out there who might have been hoping for multiple posts.
The movie starts right out with the murder. The police are not letting anybody in, especially reporters. The door is being guarded by a hapless beat cop whose name I don’t remember, largely because it is one of those names that when you hear it you have no idea how it’s spelled. I could have made a note in the TV Journal. He shows up again later on, in a part I thought was going to be a whole lot more important, but I suppose I should not ask for miracles in a B picture.
Back at the city desk (I don’t remember the names of the papers; you know how I am), the editor is looking for the one reporter who can surely get in — Torchy Blane. So right away this movie is different from other intrepid girl reporter tales: the editor likes her and considers her a good reporter. Perhaps he learned so in the first installment, which makes this a worthy sequel in my book. So many sequels want to act like the first one never happened and we have to solve a bunch of stupid problems all over again. But that’s a whole other blog post.
Where is Torchy? Off to get a marriage license. Oh no! We all know married ladies don’t have jobs (this was the last century, after all). But no fears. Torchy’s boyfriend stood her up because of the murder (he’s a cop, remember?). So Torchy makes it to the murder after all and, true to her editor’s expectations, she manages to get in.
Another reporter also manages to get in. He’s a spoiled brat whose daddy got him a job on a rival newspaper. And he’s friends with the dead man, a jeweler. Or is he? It is brought up several times that Rich Boy is a heel, but as Cop Boyfriend points out, that does not make him a murderer. Of course it’s up to Torchy Blane to find out.
A reporter from a third paper also plays a role. He’s a fun guy with a rich wife and a way with words. He and Rich Boy are about to have a race around the world.
“I intend to show him the backs of two heels,” Fun Guy tells reporters. “Counting him, that will make three.” See, everybody says this kid is a heel.
As you may have expected, Torchy gets in on the race, in hopes of catching Rich Boy with the evidence.
Mankiewicz says this part was inspired by an air race in which Dorothy Kilgallen, a real life intrepid female reporter, took part. I may have to look up some Kilgallen biographies and read more about this, because quite frankly, I don’t get it. The reporters are not flying the planes themselves. They all get on the same plane. Then stay in the same hotel. They end up on the same zeppelin for the dramatic climax. Where’s the race?
This is only one of several “Waaait a minute” plot points. There are also a couple of clues that Torchy seems to find way too easily. What self-respecting murderer just leaves clues lying around in such a careless fashion? (I know, all of them.) But “Waait a minute” plot points are a movie staple, be the movie A, B or C for cheesy. The question is, does the movie carry us along in an entertaining manner so that we don’t say “Waaait a minute” till much later (ideally waking up in the middle of the night to ponder the points, from a movie maker’s point of view)?
The answer is this one pretty much does. The supporting characters are fun (not just Fun Guy), and Torchy Blane is an endearing heroine. She cracks wise, she doesn’t make egregiously stupid mistakes, and she’s always hungry. What’s not to like? I may try to catch further entries in the series.
Mohawk Valley Girl 